Leni
By jsowle on Wednesday, Apr. 25, 2018 - 8:49 am
What happens when artists allow themselves – knowingly or unknowingly – to become cogs in a propaganda machine? Using the life of Hitler’s chosen filmmaker Leni Riefenstahl as a springboard, Sarah Greenman’s play “Leni”, a searing examination of... Read more
By jsowle on Wednesday, Apr. 25, 2018 - 8:46 am
What happens when artists allow themselves – knowingly or unknowingly – to become cogs in a propaganda machine? Using the life of Hitler’s chosen filmmaker Leni Riefenstahl as a springboard, Sarah Greenman’s play “Leni”, a searing examination of... Read more
By jsowle on Wednesday, Apr. 25, 2018 - 8:44 am
What happens when artists allow themselves – knowingly or unknowingly – to become cogs in a propaganda machine? Using the life of Hitler’s chosen filmmaker Leni Riefenstahl as a springboard, Sarah Greenman’s play “Leni”, a searing examination of... Read more
By jsowle on Wednesday, Apr. 25, 2018 - 8:40 am
What happens when artists allow themselves – knowingly or unknowingly – to become cogs in a propaganda machine? Using the life of Hitler’s chosen filmmaker Leni Riefenstahl as a springboard, Sarah Greenman’s play “Leni”, a searing examination of... Read more
By jsowle on Wednesday, Apr. 25, 2018 - 8:37 am
What happens when artists allow themselves – knowingly or unknowingly – to become cogs in a propaganda machine? Using the life of Hitler’s chosen filmmaker Leni Riefenstahl as a springboard, Sarah Greenman’s play “Leni”, a searing examination of... Read more
By jsowle on Wednesday, Apr. 25, 2018 - 8:33 am
What happens when artists allow themselves – knowingly or unknowingly – to become cogs in a propaganda machine? Using the life of Hitler’s chosen filmmaker Leni Riefenstahl as a springboard, Sarah Greenman’s play “Leni”, a searing examination of... Read more
By jsowle on Wednesday, Apr. 25, 2018 - 8:30 am
What happens when artists allow themselves – knowingly or unknowingly – to become cogs in a propaganda machine? Using the life of Hitler’s chosen filmmaker Leni Riefenstahl as a springboard, Sarah Greenman’s play “Leni”, a searing examination of... Read more
By jsowle on Wednesday, Apr. 25, 2018 - 8:27 am
What happens when artists allow themselves – knowingly or unknowingly – to become cogs in a propaganda machine? Using the life of Hitler’s chosen filmmaker Leni Riefenstahl as a springboard, Sarah Greenman’s play “Leni”, a searing examination of... Read more
